Adventures in EYFS

Up until this year, the lion’s share of my teaching career has been spent in KS2. It’s been my comfort zone. At Christmas, circumstances led me to become an Early Years teacher two days a week and it’s been some of the best CPD I could ever have had.

I’d heard (and used) a number of phrases over the years, but in recent months I’ve gained a much better understanding of what they actually mean. Phrases like ‘continuous provision’, ‘enhanced provision’ and ‘play-based learning’

Play and practice can be interchangeable really. In EYFS we encourage play-based learning but this sense of play tends to fizzle out as the children move through school. They have to crack on will embedding knowledge and skills and becoming ‘test ready’ and traditionally this has meant the demonstrator and lecturer style of teaching is more prevalent.

Playing instruments, sports and games is fun, practising them is less so. But, what’s the difference? Playing music in a group of friends, with an audience is infinitely more enjoyable than practicing scales. Playing in a football match is always more enjoyable than working on drills. Practicing skills are, of course, important, but maybe we should be giving our pupils more opportunity to practice skills being taught, through play. School shouldn’t be all fun and games, but they should help children learn and they might just do a bit more of that if they are engaged and enjoying themselves. As with the examples of music and sport above, by offering opportunities to play together with others, the motivation to practice any skill is increased. Increased motivation must surely lead to increased attainment.

Assessment in Early Years seems to be quite different as well. I think you are just meant to spend time with the children while they are in the provision, ask them some questions, model interactions and see what they can do. Is this a better way of assessing children’s knowledge and understanding, rather that a test? Possibly. But that’s not where the system is at the moment at all so our pupils wouldn’t be best prepared for what comes in later school years.

Two terms in EYFS has been fun, but my brief spell in Reception has come to an end and now I make the obvious next step and take on Year 6 for the first time. It’s not so much about going back to the style of teaching and learning that I have more experience with, rather it’s about taking what I’ve learnt over the last two terms and applying it when working with older children. I’ll certainly be making a conscious effort to incorporate play into the learning opportunities I design for our pupils.

P.S. – As far as I can understand, ‘continuous provision’ is the stuff that’s always out and ‘enhanced provision’ is when you enhance that stuff with a particular focus for a session(s) or week or whatnot.

P.P.S – There is a whole subculture around Tuff Trays. Facebook groups filled with creative ideas. Fascinating stuff.

Oliver – July 2024

Who? A Chichester Festival Theatre production in association with Cameron Mackintosh.

What? Oliver

Where? Chichester Festival Theatre

When? 8 July – 7 September 2024

What the show is about? This musical is based on the Charles Dickens classic, Oliver Twist, with music by Lionel Bart.

Oliver is a young orphan boy who has been brought up in a Victorian workhouse following the death of his mother shortly after his birth. He was sold to an undertaker where he ran away after being bullied. Seven days later, he ends up on the outskirts of London and meets The Artful Dodger who welcomes him to Fagin and his gang, of which he plays a crucial part.

Once Oliver settles in, he goes out on his first pickpocketing job with Dodger and Charlie Bates, another member of Fagin’s gang. Oliver then is taken to court for a crime he didn’t even commit. After he was proved innocent, Mr. Brownlow, the person whose pocket Oliver allegedly picks, takes him in and takes care of him.

Nancy, who is part of Fagin’s gang, kidnaps Oliver just to make sure that he didn’t tell Mr. Brownlow about Fagin and the gang. He then stays with the gang up until Bill Sikes, the bad guy of the story, steals Oliver and ends up killing Nancy. He then attempts to kill Oliver as well, but as they stand on the bridge, someone in the crowd shoots a gun, it hits Sikes’ stomach, and Sikes dies.

After all of the chaos of this scene, Mr. Brownlow decides to take Oliver in and take care of him. They later find out that Mr. Brownlow is Oliver’s grandfather. Oliver and Mr Brownlow live happily ever after.     

What was really good about it?  The set was quite good and it had a double-revolve so it moved when needed. The bridge was always there and when the cast didn’t want it in their scene, they moved it to better fit what was happening within it.

Fagin was brilliant. He was really funny and kept on taking to the audience, I’m not sure if he was meant to but it was very funny. Nancy was a brilliant singer because she held the notes that she needed to, when she needed to and the emotion in her singing was great as well. Her acting was also good.

My favourite dances were You’ve Got To Pick a Pocket and Consider Yourself. Both had a lot going on and the way they were performed was good. The show-offy spectacle of the dancing and performance as a whole was noticeable. The dancing was really good generally but that’s not surprising as the show was directed by the famous choreographer, Matthew Bourne.   

What could be better? The bit near the end, when Bill Sykes dies, was a bit confusing with lots of running around and spot lights moving all over the place. I saw it early on, during the previews, so that bit might have got better by now.

What my Dad thinks? Oscar Conlon-Morrey rinses every last drop of potential comedy out of his version of Mr Bumble. Shanay Holmes’ interpretation of As Long As He Needs Me grows and grows into a powerful, gut wrenching masterpiece and is simply stunning. For me though, Simon Lipkin steals the show as Fagin. his comic timing, adlibs, asides and audience interplay are masterful, but he still perfectly finds the right balance for the more poignant moments.

Go and see Oliver, while you can, before it inevitably transfers to London and the ticket prices double.

Star Rating? 5 Stars

Find more of my theatre reviews and match reports on my blog page.